What the Body Remembers
(A very short piece of poetic prose)
Natasha’s small weight rests on her
great-grandmother’s frail hips. Her spindly legs lay between the woman’s old
ones. Her great-grandmother chews her gummy mouth; flicking the crumbs with her
tongue. Natasha, with her mimicking mouth, takes the nourishment onto her rich
red tongue. She takes a bite, with her sparkling new teeth, of words she will
never understand. Her great-grandmother speaks in her mother-tongue, Gujrati. Natasha has a voice but does not speak in any
tongues. She hears the sing and song of the language – not the Indian dialect
but English. She knows neither but the language that will stick is English. This is the only language she will know apart
from a few words east of here, west of there. The words that appear come apart
at the seams from her small mouth. You can hear a language but it is not Gujrati, not English. You can see the pictures she draws
with her mouth, circular lines not quite rounded. Half-eaten words coil around
her throat, splitting letters into halves; morphing into symbols as if she were
a character in a comic book. Look, her great-grandmother smiles she is making
fun of me. Natasha howls with laughter. Her hands cover her mouth.
Natasha takes her tiny four-year-old
hand and presses it against her great-grandmother’s callused eighty-year-old
hand. Their hands rest against the woman’s wounded breast. Natasha feels her
great-grandmother’s heart pump blood. She feels the rhythmic opening and
closing of the valves as the blood rushes through the woman’s aging body. Natasha traces, with the soft of her
fingertips, the hardened veins on the back of the old woman’s hand. She feels
the history that vibrates between generations, between a great-granddaughter
and her great-grandmother. Natasha does not understand but her body soaks up
what seeps out through her great-grandmother’s skin.
Natasha’s body remembers. Her hand
strokes the couch where her great-grandmother sat. She remembers the rhythm of
the old woman’s speech; the steady thud of her heart. She listens to the music
that vibrates in the air. She does not speak. She finds the pulse of the music
and dances. She looks in the mirror and runs at her reflection. She climbs on
the back of the sofa and lets her legs sway back and forth. She feels the void
but can not name it. In her darkness she screams for her words. She forgets and
howls with laughter. Somehow, the art, not the act, of communication has been
completed. Her body remembers.